Yuna Qian: The Sound Engineer Who Has Taken Music and Film Industry By Storm

As fans and lovers of music and film, we are just concerned with the final outcome of the music we listen to and films we watch.

We celebrate the people on the screen and give them the entire needed accolade forgetting about the other men and women that make the crux of the wow moment we experience in music and film.

These people's post-production activities bring out the quality we listen to and see and one of the talents coming up into the production of music and film is Yuna Qian.
 Yuna Qian has gradually graduated from being a student, an intern to warming her way up to become an A-LIST Sound Engineer for the music and film studios.

She is combining the flexibility in femininity with art and she is adding a subtle splash to all the projects that she happened to be a part off.

Yuna's passion for music is none like any other after studying classical piano at the age of 6. Her inspiration, quest and persistence to succeed in a world where men dominate everything in the entertainment industry is unheralded.

Yuna has gained hands-on experience working as an intern for production studios such as Private Island Audio, Sound City Studios, Fairfox Recordings and Remote Control Production Studios all in the state of California.

Yuna Qian the Best Emerging Sound Engineer in the Entertainment Industry

Most people are just on the job for the big paycheck and look out for the door. Yuna thrives on the principle of Doing More Than Paid For and this has made 2016 Yuna's year to remember as she has been credited in two films and she has an eye for more.

If you have not seen the feature film of Director Dallas King, then I humbly recommend the Horror Film U.Z.L.A. She played two roles as foley artist and a sound engineer and the success of the film has led her to becoming an integral part of the team that churned out the documentary film Behind Karate Kill which is also credited for.

Moviegoers who've watched the two films might be tempted to think that she has been in the industry for a long time and therefore a seasoned sound engineer but she relocated from Beijing to Los Angeles a little over a year ago.

So many male sound engineers have seen the post-production of thousands of films and as a woman with so much passion for sound engineering Yuna is an extension of and a variation upon the same sound editing obsession that has led to the ingenuity of this craft on music and in film. It is no fluke to have seen her make numerous strides in just a few years gaining the chance to work under Hans Zimmer of Remote Control Productions an Academy Award Winner and being recommended to Sacred Tiger Music to oversee the editing of sounds for their seasoned and up-and-coming artists.

With many music and films involving a huge influence of women becoming disasters and box office bombs, Yuna as a woman is holding the torch of emerging women who want to break into the production of music and film in the entertainment industry.

With such an amazing talent with all the necessary theoretical skills and practical experience, any director who adds Yuna to his or her post-production team has added success to the whole project because she is the best female sound editor by far in the sound engineering business.